Jim Thompson Art Center

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Exhibitions / Gallery 1 & 2, 3rd Floor

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Breast Stupa Cookery and Beyond

Breast Stupa Cookery and Beyond
A presentation of works by Pinaree Sanpitak
23 July – 10 August 2025
Jim Thompson Art Center and the Jim Thompson House Museum, Bangkok

The Jim Thompson Art Center is proud to present Breast Stupa Cookery and Beyond, a presentation of works by Pinaree Sanpitak. This long-awaited return to the Art Center, the first solo show here since 2004, offers an expansive survey of Sanpitak’s practice, spanning over thirty years of deeply personal and transformative work. This exhibition is part of the James H.W. Thompson Foundation’s 50th anniversary celebration, marking a milestone in both the artist’s career and the institution’s ongoing commitment to contemporary art in Thailand.

Drawing upon her lived experience and longstanding interest in the body, Sanpitak has developed a distinctive visual language that is at once intimate, abstract, and universal. Her iconic “breast stupa” form, evoking both the nurturing female breast and the sacred Buddhist stupa, serves as a recurring symbol across paintings, sculptures, installations, and collaborative culinary projects.

Pinaree Sanpitak, Breast Stupas, 2000-2001. Unthreaded silk Fabric supported by Jim Thompson, The Thai Silk Co. Ltd, 500 x 122 cm (each). Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

At the heart of the exhibition is Breast Stupa Cookery, an ongoing participatory work in which Sanpitak invites chefs and collaborators to interpret the breast stupa through food and dining which is also marked the beginning of the Breast Stupa Cookery journey. This unique installation reflects the artist’s broader concerns with nourishment, ritual, care, and the body as a vessel of lived experience.

From her 1995 painting Two Breasts to her recent sculptural combinations of found vessels and hand-torn mulberry paper, the works in Breast Stupa Cookery and Beyond trace Sanpitak’s evolution through form, material, and meaning. Across media, her practice reveals a profound sensitivity to the sensorial and the spiritual, drawing together the bodily, the floral, the culinary, the feminine, and the sacred into an ever-unfolding space of contemplation and connection.

Pinaree Sanpitak, Noon-Nom 2016, 2016. Textile, synthetic fiber, dimensions variable. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

Pinaree Sanpitak, Pots No.1-11, 2023. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

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    Pinaree Sanpitak, Khon-to, 2022. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Breast Stupas, 2000-2001. Unthreaded silk Fabric supported by Jim Thompson, The Thai Silk Co. Ltd, 500 x 122 cm (each). Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Breast Stupas, 2000-2001. Unthreaded silk Fabric supported by Jim Thompson, The Thai Silk Co. Ltd, 500 x 122 cm (each). Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Two Breasts, 1995. Acrylic, pastel, charcoal on canvas, 200 x 200 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Two Breasts, 1995. Acrylic, pastel, charcoal on canvas, 200 x 200 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Balancing Line, 2009. Acrylic on canvas, 200 x 250 cm. and  Rooting, 2009. Paper, acrylic, pastel on canvas
, 201 x 250 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Balancing Line, 2009. Acrylic on canvas, 200 x 250 cm. and Rooting, 2009. Paper, acrylic, pastel on canvas
    , 201 x 250 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Raw, 2010. Acrylic, pencil on canvas, 180 x 180 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Raw, 2010. Acrylic, pencil on canvas, 180 x 180 cm. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • "Pinaree Sanpitak, Precariously Sacred, 2000-2002. Glazed terracotta
, dimensions variable. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    "Pinaree Sanpitak, Precariously Sacred, 2000-2002. Glazed terracotta
    , dimensions variable. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Noon-Nom 2016, 2016. Textile, synthetic fiber, dimensions variable. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Noon-Nom 2016, 2016. Textile, synthetic fiber, dimensions variable. Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Pots No.1-11, 2023. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Pots No.1-11, 2023. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

  • Pinaree Sanpitak, Mor Taan No. 1-9, 2023. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

    Pinaree Sanpitak, Mor Taan No. 1-9, 2023. Sculpture, . Photo: Aroon Peampoonsopon . Courtesy of the Jim Thompson Art Center and the James H.W. Thompson Foundation © Jim Thompson Art Center

Photo credit: Lee Wei Swee

Pinaree Sanpitak

(b. 1961, Thailand)

Artist

Pinaree Sanpitak is an internationally acclaimed Thai contemporary artist known for her exploration of womanhood, the female body, and spiritual embodiment through painting, sculpture, and installation, masterfully utilizing a range of material from textile, ceramic, glass, wax, metal to food. Her signature breast motif evokes both the maternal and the sacred, fusing the form and of the Buddhist stupa with the female physique.

Her work frequently incorporates the everyday —such as bowls, pillows, jars, and mats—connecting art to lived experience and memory. Sanpitak has exhibited at major biennales including The 59th Venice Biennale, The 18th Sydney Biennale, 2019 Setouchi Triennale, and the 2022 Bangkok Art Biennale. Her large-scale installations and works have

Photo credit: Lee Wei Swee