Exhibitions /
EN THUtopia Now
By Kay Walkowiak (Austria) In collaboration
with Teerawat Kage Mulvilai (Thailand)
Curated by Stephanie Damianitsch (Austria)
In his works, Austrian-based artist Kay Walkowiak put into question the fundamentals of the Western tradition and the liberal-capitalist world. In the face of the current worldwide social conflicts, resulting from global warming, pandemics, and capitalist power play, this could also be seen also as a political approach – an approach that forms the center of the exhibition project Utopia Now.
Evolving around the idea of the utopian, the works presented in the exhibition act as projection screens that invite to think about possible alternatives for the way we interact with the world and our fellow humans. They propose a shift of emphasis from individualism to consider new forms of coexistence, collaboration, and, therefore also democracy. The central work of the exhibition is the film Neon Ghost, in which one accompanies a ghost embodied by the actor and performance artist Teerawat Kage Mulvilai as he explores various dilapidated or abandoned places in Bangkok. Central institutions of capitalist society – be it department stores, airplanes, or cinemas – appear like resonances of their demise and thus their negation. By irritating the familiar, which is presented as past and decayed, the film invites us to think about an alternative future worth fighting for.
The idea of the projection "screen" that opens up an imaginary space for thinking about future concepts of the world and by that becoming a political instrument, connects all the works in the exhibition. Whether it is the work Fundamental Values, a series of protest banners, showing abstract geometric forms that can be individually charged with meaning by the viewers. Or the works Encounters and Drifters that extend the topic of future justice also to non-human life forms and therefore underlining that current utopias should also revolve around figures of thought of interconnectedness and around a relational understanding of the nature-culture constellation.
Evolving around the idea of the utopian, the works presented in the exhibition act as projection screens that invite to think about possible alternatives for the way we interact with the world and our fellow humans. They propose a shift of emphasis from individualism to consider new forms of coexistence, collaboration, and, therefore also democracy. The central work of the exhibition is the film Neon Ghost, in which one accompanies a ghost embodied by the actor and performance artist Teerawat Kage Mulvilai as he explores various dilapidated or abandoned places in Bangkok. Central institutions of capitalist society – be it department stores, airplanes, or cinemas – appear like resonances of their demise and thus their negation. By irritating the familiar, which is presented as past and decayed, the film invites us to think about an alternative future worth fighting for.
This exhibition was produced in collaboration with Phileas.
Utopia Now is made possible by the facilitation of The Jim Thompson Art Center, together with the generous support of The James H.W. Thompson Foundation, DC Collection, GroundControl, and Austrian Embassy Bangkok.
Stephanie Damianitsch
Born in 1980, lives and works in Vienna
Curator
Damianitsch is a curator and art historian. She studied art history, theology and gender studies at the University of Vienna, Austria and the University of Leipzig, Germany. Since September 2018, she has been the head of the Contemporary Exhibitions Office at the Academy of Fine Arts Vienna. Prior to that, from 2015–2018, she worked as Coordinator of Curatorial Affairs and Curator for Contemporary Art at the Leopold Museum in Vienna, where she mounted such exhibitions as Berlinde De Bruyckere – Suture, Poetics of the Material, and Traces of Time, among others. From 2011 to 2015 she worked as a Research Associate and Curator at the Kunsthalle Krems, where she realized, among others, the exhibitions Orbis Pictus by Gregor Schmoll or Now by Jorinde Voigt and, together with Hans-Peter Wipplinger, the retrospective devoted to Pipilotti Rist.
Kay Walkowiak
Born in 1980, lives and works in Vienna
Artist
Walkowiak was born in 1980 in Salzburg and now lives and works in Vienna. He studied Sculpture and Multimedia at the University of Applied Arts Vienna, Photography and Video Art at the Academy of Fine Arts Vienna and Expanded Expression at the Zokei University in Tokyo. Walkowiak’s work is a complex mixture of installation, sculpture, video art and photography and combines conceptual and post minimal strategies. In many of his works the artist explores the historically and socioculturally defined handling of form and questions its functional positing as a projection surface for timeless utopias. Walkowiak has participated in various international group exhibitions since 2004, most recently at the ACF New York (2020). Solo exhibitions include the MAK – Austrian Museum of Applied Arts, the Soulangh Art Space in Tainan, the Austrian Cultural Forum in New Delhi and the Node Gallery in Tokyo. He also features at the Vienna Biennale and the 4th Mediterranean Biennale in 2021.
Teerawat Kage Mulvilai
Born in 1973, lives and works in Bangkok
Artist
Mulvilai is a co-artistic director of B-Floor Theatre. He is a versatile theatre artist, who is also a performer, a dancer, and a director of physical theatre. His works combine fine arts and performing arts, seeking to critique society and politics, addressing injustice, violence, and structural problems that impact people’s lives. He is hailed as one of the most critically and socially conscious directors of our time. In 2012, he was honored with Piti Silp Santi Dhamma Awards for his outstanding and continuous work that promotes peace, democracy, and justice. He also has numerous experiences in international collaborations with various artists. Recently, he has co-directed the final work of 3 years [2016-2018] collaboration between ฺ-floor Theatre and Seoul based physical theatre group; Momggol theatre and won IACT Awards 2019 for Best Art direction, Best Movement-based Performance, and Best Performance by Ensemble. In 2018 he was chosen for the Silpathorn Award for Performing Arts.